Well . . . . that’s done. hahahaahhahahaahahahahahahhahaahahahahahaaha It was a crazy, bizarre, exhilarating, fun, heady, scary, sobering, informative, amazing evening. Well it wasn’t an evening. It was a whole freaking day. I started at 10:30 am and I was packed up and out by about 11:15 pm-ish. And I basically stopped doing stuff for about 45 minutes in total for the whole day.
When I got there, we had to go through the order of the jackets to see what I’d where and when. I had already thought it out, cause that’s the kind of guy I am. Then I was called to the stage to do a mic check which lasted about 15 minutes. After which, Chris Earle, the amazing writer of the show, Sandra, our director and myself started walking through the script to make sure we all had the correct changes and to talk about any thoughts of changes any of us might have had. I had been going over and over the script and I had some thoughts of add-ons that we had sort of talked about at a previous meeting. And Chris had some other suggestions too. So we decided on stuff that made us laugh the most but that wouldn’t insult too many people. … [Continue reading]
Well, things are clicking along here on the Dora front. Just trying to get all of the lyrics for the song and the opening monologue in my head. I’m actually having a great time but holy shite, it’s a lot. Want to seem off the cuff and delightful but still be entertaining and kooky. I have a feeling its going to go well. Whenever something is going to work out, I get little signs from the universe. Little tests that aren’t hard but just have to be dealt with. This time . . . its air-conditioning induced laryngitis. I NEVER have vocal issues but I’ve used the air-conditioning in my apartment twice and both times I’ve lost a part of my voice for a few days. Hmmm. Awesome. It’s coming back but this last time, it happened while I was teaching a class here at the Shaw.
The class (Song Exploration through Text) was from 10 -12 in the morning on Sunday – last day of the week. Around 11, my throat was feeling a little dry; by 11:15, it was a bit crackly in the upper register; by 11:35 it was weedly; by noon, 3/4 of my upper range was gone. … [Continue reading]
Whew. Okay well we did it. It’s now two days after Ragtime opening night. How did it go, you ask? I actually don’t know how to say how it went. After I wrote my blog that day, I didn’t feel afraid anymore. I felt like I could go in and tell Coalhouse’s story. I had a good warm up. I did feel a little dry; I hadn’t been drinking enough water. But I didn’t feel bad. The energy backstage was really good. People were excited but not revving too high. I was relaxed enough to do the show but I was keenly aware of being “watched” in a bigger sense of just having an audience. I did feel like I was emotionally in the scenes in the moment but when I’d come offstage, I found I couldn’t remember what I just did. That can be a good or bad thing. I didn’t know which but I didn’t feel like I was doing a bad job.
But the weight of the event hit me before I went out to do the library scene where I have to sing Make Them Hear You. I got out of my dressing room chair to go backstage, and was suddenly exhausted. … [Continue reading]
I can’t believe it’s here. But here we definitely are. It’s been an amazing experience coming from cupcake to Coalhouse. This is where one would put the big retrospective of the emotional journey from being the glittering cupcake in Priscilla with shattered confidence to the leading man of Ragtime with the drive of a tiger. Boring. It’s opening night and we’ve been previewing for the last 17 years. Let’s go!!!! Yes, it’s been a journey, yes, it’s been revelatory, yes, it’s been rewarding. But now it’s time to put it “officially” before the judges for the papers. And, although it would be nice to get good reviews, I realized something two nights ago . . . which I will now share with you . . . all.
An incident occurred after Coalhouse (I) get . . . well, I don’t want to spoil it for anyone . . . but something happens to me that is not good. And when it happened that night, matinee actually, an audience member cried out, “no, it’s not fair, it’s not fair” (I may be paraphrasing but that was the idea and . . . well, it’s my blog so shut up.) And she burst into tears and had to be consoled by the people around her. … [Continue reading]
Here we go people. Hot off the presses. I just got the okay on this. So here we go.
I’ll be hosting the Dora Awards this year!!! They’ll be Monday, June 25 at the St. Lawrence Centre for the Arts, Bluma Appel Theatre. For those of you who don’t know what the Doras are, they are Toronto’s Tony Awards but with no Hugh Jackman or Bernadette Peters.
33rd ANNUAL DORA MAVOR MOORE AWARDS
Toronto’s Theatre, Dance and Opera Awards
Monday June 25, 2012
Hosted by Thom Allison
6:30pm-7:30pmPre-Show VIP Reception - Sony Centre for the Performing Arts Lower Lobby
8pm Dora Mavor Moore Awards Show at the St.Lawrence Centre for the Arts, Bluma Appel Theatre, 27 Front St. E.
10:30pm After-Party Under the Stars outside the St. Lawrence Centre on Front St. East.
Written by Chris Earle; Directed by Sandra Lefrançois; Musical Direction by Glenn Morley;
Lighting Design by Andrea Lundy; Produced by Jacoba Knaapen. Regular Tickets on sale as of June 21, 2012: $65. Call the Box Office at 416-366-7723 VIP Tickets: $165 (includes pre-show VIP Reception). Call 416-536-6468 ext 27 For information visit www.tapa.ca